Reminiscing about a fantastic visit in Summer 2019 to one of Paris’ great (and controversial) museums leads to one suggestion – Do go if you can! Plus one don’t –Don’t plan on going from 2023 – 2026 when Centre George Pompidou will be closed for a three-year, quarter of a billion dollar renovation.
If you’d like some good background information, as well as to get up to speed on the history and controversy of the Centre, read this. During my first ever trip to Paris last summer, the Pompidou was high on my list. And it didn’t disappoint. On top of the world class exhibitions and holdings, there is a great rooftop restaurant with some of the best view of Paris I found during my entire stay.
I needed a wall to prop myself up after a delicious gourmet lunch which included more incredible views.
And onward to the spaces, which sprawled over three floors, and provided nice breathing room for the viewer experience.
And some of the “stuff”…yeah, some incredibly good stuff!
Whether you’re an aspiring collector who has yet to purchase your first work of art, or a seasoned collector interested in reminders about the core principles of collecting fine art, our Collector Series: Tips for Novice Collectors videos will be worth your while. Our first video, “Collecting 101” covers the foundational basics of collecting art utilizing three tips.
Tip #1: At its very core, collecting art is about finding your passion. Learning what sort of art makes you feel tingly? What sort of art you find yourself dreaming about. Every collector has a voice inside which will help navigate them to the collection meant for them. This instinct, internal tuning fork, “gut feeling” – call it what you wish – is an inner curator advising you to collect the art which will make your heart sing.
Tip #2: Once you’ve found the styles, periods, movements and artists who make you feel enthused, it’s time to train your eye by looking, looking, and looking more. In person – at galleries, art fairs, museums, auctions or art and antique shows. Analog – in magazines, monographs, and art books. And digitally – online at museums, galleries, and auction sites. This educational process is ongoing, and will never be complete for a true collector. It is part and parcel to “the thrill of the chase” in building the right collection for YOU.
Tip #3: Build relationships. Find the galleries and dealers whom you can trust. What is their experience, reputation, longevity as a business, and unique “style”. Ultimately you want to feel confidant and comfortable with the people and firms who will be joining you as you embark on your collecting journey.
We hope you’ll find our Tips for Novice Collectors useful. Please check back for the additional videos in this series.
Lots of Big Green blood runs in our family. Starting with my father and gallery founder Joe Caldwell (Class of 1951), myself (’85) and my younger sister (’89). Charlie Hood, of Hood Dairy distinction, was a friend and classmate of Joe’s…and he donated the original Hood Museum of Art which opened Fall 1985. Here’s a pic of what I’ll call Hood 1.0…
There was some debate in 2016 when a major ($50,000,000) expansion and renovation of the Hood Museum was announced. Architect Charles Moore’s widely acclaimed 1985 building was struggling to meet the expanded 21st century exhibition, collection, curatorial and educational needs of the college. The new Billie Tsien and Tod Williams design swallowed the original Hood museum nearly whole, although inside seven of the original exhibition spaces were incorporated. The controversy regarding the major renovation and expansion (what I think of as “Hood 2.0”) has died down now that the new building is up and running. The general consensus from the Dartmouth “family” is that the revised museum is functioning brilliantly within the mandates given for the much needed expansion. The public seems equally impressed.
I had a chance to visit the newly opened museum in March of 2019, and received a lovely tour (despite the museum being closed on Mondays) from Bonnie MacAdam, curator of American Art, who kindly walked me through the exhibition spaces. I was duly impressed, and enjoyed seeing some “old friends” by the likes of Frederic Remington, Paul Sample (Dartmouth ’20), Winslow Homer, Georgia O’Keeffe, Augustus Saint-Gaudens, James McNeill Whistler, Thomas Sully, Augusta Savage, and Jackson Pollock, to name a few. I also got a peek at the exceptional en-suite classroom, library, media, and research spaces, which previously existed across campus. The behind the scenes storage and exhibition logistics component is also equally as impressive, and was much needed.
It’s always great to get back to my old stomping grounds, “The College on the Hill”, and connect with the past and present. It’s pretty much guaranteed I’ll always bleed Green…
For three weeks this past June and July, I traveled with my family throughout the American West. From the Great Plains to Yellowstone, the Tetons to Southwest Utah, the Grand Canyon to New Mexico, we searched for the wide open spaces, breathtaking unspoiled beauty, star filled skies…and the sense of awe, purpose and hope which natural beauty can instill in one’s psyche and soul. The following photo sample platter are some of my favorite selections and collages of the more than 2,500 images and movies I took during our 23 day sojourn. Every mile was memorable…
This sums up an incredible building filled with art, and nearly devoid of people: “At the time of its construction, the Fair Trade Palace (completed in 1928), was the largest building of its kind in the world…and the first Functionalist building in Prague. Today it serves the needs of the National Gallery. A unique collection of Czech and international modern and contemporary art, it includes some extremely valuable examples of French and European art, including important works by such illustrious names as Pablo Picasso, Georges Braque, Auguste Renoir, Vincent van Gogh, Gustav Klimt and many more”.
The final few weeks of “on the wall viewing” (on extended loan) of Gustav Klimt’s “The Maiden” (1913) was a rare treat. If this stunning and seminal masterwork was on display in New York, Paris, London, Berlin, Amsterdam, or most other major cities, you’d have to fight the crowds and selfie-taking amusement park museum visitors to take a frantic peek. Not the case on this day, as I shared an hour with the work, while a few other viewers drifted by to take a peek, and studied it with a level of calm and intimacy that is rarely found these days. It was one of the true highlights of my museum going “career” !
The “regular” permanent collection is rather outstanding, and my immersion in the art of Czech born artists (1800-2000) was eye opening. Outstanding quality without the – to this viewer, anyways – name recognition and international reputations. Refreshing!
Visiting this museum “on the other side of the river” in Prague was a revelation. And the unhurried family luncheon in the nearly empty museum cafe and coffee shop was both inexpensive and absolutely delicious! The stunning views on the walk back to our AirBnB in Old Jewish Quarter (Josefov) were the cherry on top of a very yummy treat!
Can going outside help us stay sane inside? Methinks yes! But where? Within fifteen minutes of Hudson there just happens to be an incredible spot for a healthy stretch of the legs, and satiation of the art hungry mind: Art Omi in Ghent, NY.
These uncertain times have made where we can go and what we can do something that must be carefully considered. Thankfully, when it comes to the great outdoors, a place like Art Omi offers a welcome respite from these unprecedented challenges. A month ago, I spent a lovely Spring day at an arts organization who’s mission (from their website) is: “Art Omi believes that exposure to internationally diverse creative voices fosters tolerance and respect, raises awareness, inspires innovation, and ignites change. By forming community with creative expression as its common denominator, Art Omi creates a sanctuary for the artistic community and the public to affirm the transformative quality of art. Art Omi is a not-for-profit arts center with a 120-acre sculpture and architecture park and gallery, residency programs for international artists, writers, translators, musicians, architects and dancers”. It was a day of wonder, therapy, and a healthy stretch of the legs.
If you’re seeking a place to enjoy the outdoors in a serene and idyllic setting – and if art puts a cherry on that cake for you (collection guide here), then please budget some time to stroll the grounds of Art Omi. You’ll be glad you did!
Our gallery has enjoyed a long history with the Munson Williams Proctor Arts Institute in Utica, NY. We’re fortunate to have this gem of a museum, research center, and art school in our own backyard. The “Munstitute” as it’s affectionately called, houses one of the stealthiest and underrated collections of important art in America. Need to view a 16′ wide Jackson Pollock from his most important period? Check! Need to view Thomas Cole’s original “Voyage of Life” series? Check!
Originally established in 1919, the institute eventually added a School for Fine Arts in the 1940s, thus expanding the Institute’s mission from exhibiting fine art, to offering students the opportunity to study fine art as well. Today, the art school is connected to NYC’s Pratt Institute.
In 1960 the MWPAI opened its stunning new museum building designed by Philip Johnson (1906-2005). This was the noted architect’s first museum commission. Above is Easton Pribble’s (1917-2003) painting of the construction phase of the museum. The museum’s collection houses treasures of American fine art from the 18-20th centuries, with especially strong holdings in 20th century American modernism.
Two paintings in MWPAI’s collection were acquired from our gallery – a rare fauvist 1922 landscape by George Ferdinand Of (1876-1954) entitled Houses, Westchester.
And a rare and important 1929 painting by artist, collector, and arts patron Katherine Dreier with I rediscovered – entitled Abstract Psychological Portrait of Ted Shawn.
In 2015 we were fortunate to partner with the Museum in assisting them with their Easton Pribble bequest. The artist, who had taught at their fine art school for forty-five years, left 200 paintings to the Museum with the express intent they be sold to raise money for their Arts Acquisition Fund. We have been pleased to assist with this worthy fundraising effort.
If you are traveling through Utica, New York (once we are past the shutdown from Covid-19) we encourage you to stop by and visit this fantastic, world-class museum.